The Development of Modern Art in China Lu weirong(Riku Iei)

"The Development of  Modern Art in China –Multiple Perspectives on the Japanese Connection " ("Art Forum" VOL26; 2012 )

陆 伟荣（装帧设计﹕日本与中国 ——从鲁迅﹑陶元庆﹑陈之佛，到新中国）

2013年（台湾）

装帧设计﹕日本与中国

——从鲁迅﹑陶元庆﹑陈之佛，到新中国

装幀にみる日本と中国

――魯迅から陶元慶・陳之佛、そして新中国

AHRC Research Project

Title: ‘Translating and Writing Modern Design Histories in East Asia for the Global World’（ 台湾、雲林）

Book Design in Japan and China: From Lu Xun, Tao Yuanqing, Chen Zhifo, to New China

Weirong 　Lu

Lu Xun（鲁迅）was a writer, as well as a pioneer of modern book design in China. He started to get involved in the designing if his own books as early as 1920s while he was engaged in his literature works because of the influence of Natsume Soseki（夏目漱石）and Shirakabaha (白桦派), the famous Japanese writers who combined literature with fine arts. He also learned from then outstanding Japanese publications that were heavily influenced by the Western fine arts. Due to Lu Xun’s（鲁迅）strong belief in “Pragmatic Westernisation" (拿来主义), similar strong influence of the Japanese fine arts and crafts can be also seen in the young artists’ works such as Tao Yuanqing (陶元庆), one of Lu Xun’s students, and Chen Zhifo (陈之佛). However, the tradition of the Japanese artistic influence suddenly disappeared after the start of the New China in 1949. This article intends to examine the process of such evolution and change based on reviewing relevant original works and information.

Lu Weirong﹕Modern Chinese Painting: From Li Shutong to Chen Baoyi

Modern Chinese Painting: From Li Shutong to Chen Baoyi

Modern Chinese Painting: From Li Shutong to Chen Baoyi

Different Characteristics of Cultural Exchanges with Japan in Different Times 

dern China started to accept Western painting, in the late Qing Dynasty Western painting education study in Japan began in the late Qing Dynasty as well. Li Shutong is early learner of  Western painting, but with Japanese Sinology the Chinese Poetry sector and  calligraphy circlecharacter interaction, he has learned  music, drama activities for them, we see that the his Western painting world is  with the color of the literati learners. At a later stage, Chen Baoyi and Guan Zilan  had a close communication with Japanese oil painters, very loyal, and very professional. One would like to make sare of the difference of styles between  Li  Shutong and Chen Baoyi.

（陆伟荣）中国近代油画：从李叔同到陈抱一

（台湾国际研讨会）

「萬象更新：現代性、視覺文化與二十世紀中國」

Through the Kaleidoscope: Modernity, Visual Culture & 20^th-century China

國際學術研討會通知International Conference Notification

中国近代油画：从李叔同到陈抱一

---早期、后期与日本交流的不同特征

（概要）

  中国近代开始接受西画，始于清末留学日本的西画教育。早期的李叔同，尽管学习西画，却与日本汉学界汉诗界书法界人物进行交往，学习音乐，从事戏剧活动。从他身上，我们看到了充满文人色彩的西画学习者。到了后期，以陈抱一关紫兰为代表，他（她）们直接与日本油画家密切交流，显得非常专一，也很专业。本发言试图对这一现象进行一次梳理，探寻近代早期，后期的不同特征。